“An absolute master of pianissimo and the fading of a tone...The dynamic spectrum is vast, the shades are of an amazing versatility, the virtuosity is sparkling like champagne and the colour palette is as beautiful as Monet’s”
— Alain Steffen, PIZZICATO, June 2020
“In short, Min’s finest performances on this gorgeously engineered release will make Scriabin fans sit up and take notice.”
— Jed Distler, Gramophone UK, May 2016
“Architecturally as well as recreatively this was an exceptional performance”
— Robert Matthew-Walker, Musical Opinion magazine, on Klara Min's Wigmore Hall Debut
“Min’s superbly controlled technique and formidable coloristic resources. Her liberties command interest in how they point up Chopin’s amazing harmonic ideas and increasingly involved contrapuntal textures”
— Jed Distler, Classics Today
“ ... the most talented with uncommonly unique style and strong character ...”
— Korean Concert Society, Washington, D.C.
“The pianist Klara Min played with a beautiful, rich sound and splendidly performed the motoric passages with vitality ...”
— Przeglad Polski, Polish Daily News
“Eine der reichsten und schönsten (auch klangschönsten) Schumann-Deutungen seit langem.”
— Ingo Harden, FonoForum
“Min plays with the most ravishing piano tone I’ve heard in the last 50 discs I’ve listened to, at least! Her dynamic control is out of this world—anyone who can make silk out of dissonance this strong is a top-notch artist in my book. She has a patience that most of these pieces require, and a love for intentional silences…. Anybody’s music would be served well by Min’s touch.”
— Stephen Estep, American Record Guide
“Poised and poetic, soulful and tenderly enquiring…she plays with sincerity Mazurkas brought out the most of Klara Min’s reflective and sensitive side”
— Colin Anderson, Classical Source London, on Klara Min's Wigmore Hall Debut
“... a lovely, nuanced tone… genuine expressiveness, excellent technique, exuberance, vitality...she brought out the work’s dreamy, romantic atmosphere without becoming sentimental ...”
— Edith Eisler, New York Concert Review
“There is tone poetry and twelve-tone abstraction and expressionist experimentation, and all of it is played both expertly and sympathetically by pianist Klara Min…Recommended.”
— Rick Anderson, Baker & Taylor CD Hotlist
“Es wird nie bloß genau „Klavier gespielt“, sondern immer strömend und warmherzig Musik gemacht, dem Komponierten mit viel Spontanität und Fantasie bis in die kleinste Note nachgespürt, das „breite Spektrum der Emotionen”
— Ingo Harden, FonoForum
“Brilliant playing…intuitive musicianship...sensitive and polished”
— John Brunning, Classic FM London
“... Ms. Min is a remarkably accomplished pianist, whose technical skill and musical ability put her on a level that surpasses most of her peers,...highly intelligent and motivated, has a remarkable grasp of stylistic issues, ...her stage appearances unmistakable audience appeal ...”
— James Tocco, pianist
“... a wonderful artist ... ”
— John Corigliano Pulitzer, Prize-winning composer
“... Klara Min’s piano playing is demonstrably intelligent, technically assured and, where necessary, delicate or muscly.”
— Music Web International
“Klara Min conveys that sense with beautiful phrasing, a deceptively facile way of handling the difficult pages and a dynamic sense so important to the successful performance of this music. ”
— Grego Applegate Edwards, Classical-Modern Music Review
“Klara Min has done a worthy job of tackling challenging music by the leading composers of her homeland.”
